In our blog series about our creative teams, lighting designer, Jane Hakaraia, talks about illuminating Ink’s plays, colour psychology and how tinsel makes fire.
In this instalment of the series to steal all of Indian Ink’s ideas and start a rival, more successful theatre company, I zoomed Justin to get his thoughts on the writing process.
With Indian Ink’s new play flying in from the horizon I sat down face to face (well, face to laptop to laptop to face) with Jacob Rajan as he discussed the inspiration and background for Paradise or the Impermanence of Ice Cream.
How does a theatre company go about making the sets for their shows? And how the heck do they transport them all across the world? I tracked down Indian Ink’s very own set designer John Verryt for some answers.
I thought that I was meeting Kutisar for an interview, but it turned out that it was actually Shah Jahan, pretending to be Gobi, dressed up as Jake.
Andrew is Indian Ink’s lighting guy, tour guy, sound guy and all-around tech-extraordinaire. Fortunately for me, he took some time out of his busy schedule to sit down and have a chat!
We sit down with Murray to quiz him as to what he does for Indian Ink.
We chat with some students about Paradise.
Co-founder, writer and actor Jacob Rajan on Indian Ink’s resident oxymoron.
Mrs Krishnan’s actress on the show’s whirlwind North American tour.
With the show in full swing, we took a moment to catch up with our Mrs Krishnan’s Party actor, Justin Rogers.
