Mrs Krishnan’s Party is set in the back room of the dairy where Zina is celebrating the harvest festival, Onam. We’re the invited guests and, if we’re lucky, Mrs Krishnan might even feed us.

If Indian actors are to make a mark on New Zealand theatre, they need more Indian writers providing Indian roles, a director says.

Vanessa Kumar was too young to see Krishnan’s Dairy in 1997 when it debuted at Bats Theatre; she was just 7, and the theatre company behind it, Indian Ink, newer than she was.

Twenty years ago, Jacob Rajan became the first Indian actor to graduate from Toi Whakaari—NZ School of Drama and went on to take his passion for theatre to the next level.

Ever wondered why Indian Ink loves masks so much? In this brief behind-the-scenes clip, the cast and writers discuss the use of masks

Jacob Rajan and Justin Lewis’s much-celebrated, endearing love story The Pickle King first debuted fifteen years ago, and in that time it’s become a classic of contemporary New Zealand theatre.

The Pickle King is a well preserved, slickly directed, modern fairy tale that’s quick witted, tongue in cheek and really rather endearing all while lifting the lid on love, loss and diversity.

A BRIGHT, bold set design in tropical pastels plays against the undercurrent of death, loss and tragedy in Justin Lewis and Jacob Rajan’s multi-layered play The Pickle King, playing here on tour.

“Some things worth preserving you can’t fit in a jar”.

This show is theatrical magic.

Indian Ink’s aim is “to make theatre that is beautiful, funny, sad, and true.”